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Home Manufacture of Black Powder
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Without black powder in all its
varieties, it would be tough to make much more than sparklers for pyrotechnical displays.
Making high performing black powder is one of the fundamental skills that the aspiring pyrotechnician
will probably want to master early in his quest for knowledge in the field. The goal of
this meager treatise is to illustrate the most popular method of amateur production which is
called the "ball milling method." This implies that anyone who wants to use this approach will
need to first build or have access to an efficient ball mill.
Without a mill, one is left with the inferior alternatives of
using the CIA (precipitation) method or the incredibly laborious mortar and pestle method.
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| The first step in the
process is to assemble the raw materials. In this case, there are only three, as pictured: potassium
nitrate, charcoal and sulfur. Of these three, potassium nitrate and sulfur can readily be
purchased from pyro supply companies such as Skylighter or
Firefox , but charcoal is a different story. The
subject of charcoal could require a whole book to adequately cover. For the purpose of
brevity, this text will assume that willow charcoal is one of the most popular choices for
making high performance black powder. Unfortunately, commercial sources (at least in the US) for
this particular kind of charcoal are very rare. The best approach is to make it yourself
with a home-made charcoal
cooker. Then you can control some of the characteristics of your charcoal by custom
cooking it to your liking. .
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If you make your own charcoal, you
need to reduce it from the original sticks to a more usable powder form. I use the meat
grinder method shown here. A guide chute has been fashioned from a sheet of transparency film
to help keep the dust down. This is definitely not a job to do in your kitchen unless you want
to risk sleeping in the garage for a month. A good respirator is also recommended. The result
is a charcoal powder which ranges from air float to about -8 mesh. This may or may not be
useful "as is" for making black powder, depending upon the approach used to make the green meal.
Hopefully, this will become clear in a moment.
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Regardless of the method used to make the green
meal, the proper proportions can only be achieved by weighing them on a scale.
I generally use the traditional ratio of 75 parts potassium nitrate, 15 parts charcoal and 10
parts sulfur. If your black powder is intended primarily for use as lift powder, you might want
to use the ratio which is purported to be optimized for this purpose. It is 74 parts potassium
nitrate, 14 parts charcoal and 12 parts sulfur. Just remember that these are parts by weight.
It seems that every "newbie" to pyrotechnics will reveal his ignorance by asking the question
concerning whether parts in a formula refers to weight or volume. Save yourself the
embarrassment and etch upon your mind that pyro formulas are always in parts by weight unless
specifically stated otherwise. The triple-beam balance scale shown does the trick quite nicely
for weighing out parts of a formulation, but you can accomplish the same purpose with a much
less expensive home-made scale
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| Let's diverge to a little background discussion
for a minute. The green meal referenced above is the raw, unprocessed mixture of the
constituent ingredients. There are two basic approaches to creating this initial mixture. One
method is to create a bulk mixture from which a "volume measured" portion is taken and placed
in the milling jar. The other approach is to create a batch of green mix which is exactly the
amount needed for the intended milling jar charge. In the first case, the particle size of the
individual components of the mix must be small enough to assure homogeneity. In the second case,
there is no concern about the green meal being homogeneous. The potassium nitrate and sulfur
can be full of lumps and the charcoal can be very coarse. The proper weight portions are just
loaded into the mill jar and the milling accomplishes the homogeneity. The second approach has
many advantages, but it can only be done if the user knows the exact weight of the optimum charge
for his milling jar. For the purposes of this discussion, the definition of an optimum
charge is the following: the amount of fully milled black powder meal which occupies 25% of the
mill jar volume. The determination of this optimum charge is challenging because milling will
often alter the volume of that which is milled. The best way to determine the weight of the optimum
charge is to actually weigh the desired volume of finished meal. This implies that the
user of a new milling jar must
use the first approach to making green meal for his first batch. The optimum charge is then
determined and can be used for all succeeding batches.
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The first approach to making green meal will be
demonstrated because it also includes many principles of properly mixing
pyrotechnic chemicals. In general, successful pyrotechnic compositions work well because
their proportions of ingredients have been very carefully determined. If the pyrotechnician allows
the proportions of his mixture to vary from the ideal, the performance of the composition
will usually suffer. Therefore, except in a few unusual cases, a high degree of homogeneity is
desired in pyrotechnic mixes. One of the best ways to accomplish this is by using screening
(which requires a good set of mixing screens ) as a means of mixing
pyro chemicals together. In the picture at the left, is shown the results of screening a
mixture of the potassium nitrate and sulfur which were weighed out for the bulk black powder
green mix. The two chemicals were stirred together and appeared well mixed. However, upon
passing the mixture through a 40 mesh screen, many large lumps of sulfur are revealed. These
lumps obviously destroy the homogeneity of the mix in their near vicinity.
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| In order to eliminate these lumps, I
perform a rough approximation to a mortar and pestle operation by placing the lumps in a
container. The lumps are crushed by the back of a spoon against the sides of the container. The
contents of the container are then returned to the mixing screen box and the cycle is
repeated until all of the material passes through the screen. The entire quantity of mix is then
passed through the screen several more times to ensure a thorough mixture. This method works
well if the lumps aren't hard and dense. If they are too hard to crush easily, the best way to
eliminate them is by milling each chemical separately prior to mixing with others. Now, to
complete the black powder green mix, the charcoal must be added. The screening method could have
been used to mix all three chemicals together in one step, but I prefer to add the charcoal
as an "airfloat" which will be free of coarse particles. The charcoal is added to a container with
the screened potassium nitrate and sulfur, a tight lid is used to close the container and
the container is shaken vigorously. I do this because screening any mix which contains fine charcoal
will usually result in a lot of airborne dust which enters the lungs and coats the pyro
lab with a nasty black film. At this point, a black powder green meal with a reasonable degree of
homogeneity has been achieved.
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Now a volume of green meal equal to 25% of the mill
jar volume is measured. For this jar, that volume is 3 and 1/4 cups of our
bulk green meal. This is the first approximation to the theoretically ideal mill jar charge.
It is added to the jar along with hardened lead milling media equal to 1/2 of the mill jar
volume. In my experience, the volume of the black powder meal will increase during the milling.
If you have a high efficiency mill, the milling process will be complete in about 3 hours of
milling time. I would be remiss if I didn't mention that the milling should be done with all the
due precautions taken. This means locating the mill remotely and perhaps using protective
barriers around it.
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The powder which results from the milling
process is still referred to as "meal" because it is not yet very useful for
pyrotechnic applications. However, it is no longer called green meal. The meal is processed
into grains of black powder by a method known as corning. The size and characteristics of these
grains will determine some of the aspects of the performance of the finished black powder.
The first step in the corning procedure is accomplished by using a
powder die to compress the milled
powder into "press cake". One of the secrets of making durable black powder grains is to add
sufficient moisture to the meal prior to pressing it into the cake. I add 4 grams of
50% water/50% alcohol to 119 grams of milled meal to make an individual die batch. This is done by
placing the meal and water/alcohol in a mixing cup and stirring vigorously with a stirring rod.
The milled powder will undergo a fairly rapid transition from fluffy, loose powder to a
stiff, but still crumbly powder when the moisture becomes well distributed. Some will advocate
adding moisture by misting it lightly onto a pile of milled powder while mixing with the
diapering method. Theoretically, this avoids degrading the performance of the powder by not
giving the potassium nitrate a chance to dissolve and recrystallize. However, I have found this
trouble to be unnecessary. The picture shows the dampened, milled powder being added to the
powder die, after which the compression piston is placed on top.
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Next, the die is placed in a
home-made hydraulic press and the
press is operated from behind the blast shield. This picture is illustrative of the pressing
step, but in actual operation I recommend the use of a heavy glove on the hand which is used to
pump the hydraulic jack. This and a heavy sleeved shirt or coat are a good idea. The die
has been designed so that the finished press cake has the desired density of 1.7 grams/cc.
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These are the puck shaped pieces of press cake which
are extracted from the powder die after pressing has been completed. They
are rock hard and should hold together well without crumbling. If the press cake crumbles easily,
this is one indication that insufficient moisture was added to the milled powder. The press
cake pucks are allowed to air dry for at least 24 hours before they are crushed into powder grains.
Tapping on the pucks with a wooden dowel makes a china-like clinking noise even right
from the powder die. After drying for a day or so, the pucks will ring even a little more,
indicating that the moisture level is about right for the final step of the corning procedure.
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Crushing the press cake into useful grains is somewhat
nerve-wracking for me, but I like this step because it is the last in a
long series required to finally obtain high performance black powder. I use a small baseball bat to
crush about 1/2 of a press cake puck at a time. The chunk of press cake is placed in an
old aluminum pressure cooker pan and the bat is used in short, downward strokes to break up the
cake. This works best if the pan is placed on a very hard surface, such as concrete or stone.
The idea is to fracture the cake into grains without crushing it back into useless powder. Again,
for safety's sake, this should be done outdoors with protective clothing and always avoid
placing your face directly over the pan. If 60 grams of black powder were to ignite in the pan,
it would create a hot flame as much as 4 feet high before your reaction time would allow you
to get out of the way. As I said, this step is a little nerve-wracking, but I have never had an
accident during this step yet. There may be some arguments for using a plastic bucket instead
of an aluminum pan, but I'll leave this choice open to discussion.
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The contents of the crushing pan are emptied into a
stack of screens to separate the various desired grain sizes. Whatever will
not pass through the top screen is returned to the pan for more crushing with the "bat pestle"
and this cycle is repeated until all the black powder cake passes through the first screen. A
little side to side shaking of the screen stack during each cycle helps the grains settle to
their proper location in the stack. This particular stack of screen boxes consists of the catch
box, a 40 mesh, a 20 mesh, a 10 mesh and a 4 mesh screen on top. The powder which falls clear
to the catch pan is a -40 mesh powder which is retained for use whenever meal D is called for
in my pyro formulas. The powder in the 40 mesh box is a 20 to 40 mesh powder which is used as
4FA equivalent. The powder in the 20 mesh box is a 10 to 20 mesh powder which is used as 3FA
equivalent. Finally, the powder in the 10 mesh box is a 4 to 10 mesh powder which is used as
2FA equivalent.
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This picture is shown to give an idea of the
various grain sizes relative to common US coins. Now I'd like to explain a little
about my philosophy regarding my choice of screens for separating the grains into these
ranges. The ranges don't conform exactly to those given for the common commercially produced powders
and this is intentional. The only motivation I can think of to conform more closely with the
commercial definitions for black powders is to enable a completely transparent exchange of
commercial and home-made powders in pyrotechnic projects. In these cases, the pyro craftsman
wants his home-manufactured powders to perform identically to commercial powders so that he can
always expect consistent end results. In my case, I don't use commercial powders. Therefore,
I can afford the luxury of adjusting the amounts of powders used in my projects according to the
desired results. This way, my only concern is to make my own manufacturing process very
consistent so that my home-made powders always give me the same results. The advantage of this
approach is that the ranges of grain sizes for my equivalent powders don't overlap as they do
in the commercial ranges. This means that I can use commonly available screens and do multiple
separations in one step as illustrated above.
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Finally, I am compelled to add a few words of caution and
disclaimer to this brief explanation. Remember that the manufacture of black
powders is a regulated activity in many areas. One should do some research into the legal
requirements before attempting to do any of these steps. The procedures described represent my own
experience and are not necessarily recommended as the final word in how to do it properly
and safely. These explanations are made available to others in order to stimulate constructive
dialog for enhancement or improvement.
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Your feedback is welcome. Please offer suggestions, refinements, critiques or cudos in the submission form below.
You must be a registered pyro enthusiast (or at least a wannabe) to contribute.
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| 00948911 | a question | December 20, 2007 | | what would happend if I add to the formula some red iron oxide.
how much could be added to make it more powerfull |
| elmo1 | Home Manufacture of Black Powder | October 3, 2008 | | As always this seems like a very organized and safe method. I have a question. After processing to the cake stage is it alright to store the cakes in proper containers until needed?
Elmo |
| jeffrocket55 | making bp | February 16, 2009 | | good info,especially the weight thing,yes Im a newbie to the world of fireworks but not life so I try to use common sense.Your siye has much for such beginners and pros I can see.Thanks Jeff in the usa florida |
| captainuk | black powder | June 17, 2009 | | Im am still quite new to this but for bp i mix then mill then damp as you said but then instead of pressing into a cake i just use a flourmill to granulate it seems to work well for rockets but not got much furthur as yes
great site learning loads ..a press is next |
| eaglesnester | compressing powder cakes | October 24, 2009 | | Newby here stumbled on you web site while looking for info on making black powder. I am a flintlock shooter and need a source for BP. I live in Canada and the only source is over 400 miles from my home.
So here I am. I have assembled the saltpeter, flowers of sulfur, and the makens for charocal. I will be ordering a accurate grams triple beam grams scale to weigh the makens.
Anyway my question to you is how long do you compress your black powder cakes in your hydraulic press? I have a 20 ton powered log splitter that might be ok for compressing my BP cakes? If properly configured to safely hold your PVC BP Compression device with no chance of sparks etc. could a 20 ton press be used and if so how long do I leave the pressure on?
Thanks: Glenn
Vanderhoof, B.C. Canada |
| Logger | Compressing powder cakes | April 24, 2012 | | Could you tell me the apx volume of green powder to get a 1" cake or the volume ratio to get the density of 1.7 grams/cc. |
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